Conceitos de tecnologia e apropriação da arte nas representações do duo Daft Punk em capas de revista

Abstract

The research is contained in the relationship between design and the music production, taking as a starting point the representations of the electronic music duo Daft Punk on magazine covers published between the years 1997 and 2013. In connection with current discussions, more specifically the “art produced by machines”, the analysis of this material seeks to understand how art appropriation mechanisms were visually presented for representations of technology concepts, observing the influence of design in the midst of these conceptions. For this, Martine Joly’s method of image analysis was applied, in search of visualities relevant to the subject studied, together with the synchronic and diachronic analysis of the research object. The results were contemplated in an infographic, which visually organizes and completes the work proposal. This research was motivated by the author’s interest in music industry narratives and how design presents multidisciplinary interactions, which provide tangible elements for the discussion of art and technology concepts.