O palacete de Epaminondas: um olhar sobre a cenografia televisiva

Abstract

This paper will perform an observation process about the scenographic resources used by the Meu Pedacinho de Chão soap opera’s direction, in her intent to help at the reading of the characters types who interact with the projected space, coronel Epaminondas’s mansion specifically. To hit this goal, it follows an analysis about the setting’s exploration in the first episode, as well as the identifying of some aesthetic and visual characteristics, and post-production techniques explored. The richness of the materials, colors and shapes used reinforce the non-realistic athmosphere of the story and catch the televiewers through the emotion.