A escrita cenográfica no trabalho de Fernando Marés com a Companhia Brasileira de Teatro entre os anos de 2010 e 2012

Abstract

This paper presents a review of the set design in theater from the early twentieth century, proposing an historical approach in order to articulate an understanding of the concept of "scenography scripture" or "scenographic drama" of the work that the designer Fernando Mares developed with Companhia Brasileira de Teatro de Curitiba between the years 2010 and 2013 the article focuses on the approach of scenography as visual drama of a show, making spatiality as active for the construction sign and the reception of the theatrical scene. Presents a specific crop of thinkers and drivers of scenographic developments in the twentieth century, and then relate them to the work of Fernando Tides. Descata-up, this theoretical historical basis, the proposed Roubine (1998) and Lehmann (2007).